Close

Login

Close

Register

Close

Lost Password

Inheritance (IFC 2025)| Review

Directed by: Neil Burger

Written by: Neil Burger and Olen Steinhauer

Produced by: Neil Burger, Bill Block, Charles Miller     

Starring: Phoebe Dynevor and Rhys Ifans

101 Minutes | Rated R

IFC Films

Being a fan of thrillers and espionage films, the concept of Neil Burger’s Inheritance immediately appealed to me. These films always carry a palpable sense of anxiety due to the “trust no one” atmosphere, and Inheritance is no exception. What sets it apart is its unique approach to unraveling the puzzle of the spy game.

When Maya (Phoebe Dynevor) discovers that her seemingly ordinary father was once a covert operative, her world is turned upside down. As buried secrets resurface, Maya is drawn into the heart of an international conspiracy that not only threatens her life but also global security.

Determined to uncover the truth about her father’s past, Maya embarks on a globe trotting journey fraught with danger and deception. Along the way, she must learn the skills that once made her father a legendary spy. But as she delves deeper, she unravels a web of betrayal, forcing her to question everything she thought she knew about her family and herself.

Inheritance stands out not only for its story but also for its non-traditional filming techniques. Shot entirely on an iPhone in a 1.78:1 aspect ratio, the film immerses viewers with its “right-in-the-action” POV (point-of-view). Many scenes are framed at unconventional angles, which heightens the tension and unpredictability. One standout moment occurs during a motorcycle chase, where the shaky, almost selfie-stick-like camera angle amplifies the chaos and intensity. The screen jostles with every bump in the road, bringing viewers viscerally into the action.

Burger’s unique visual style is complemented by the film’s stunning locations, spanning Asia, including Egypt, India, and Korea. These settings feel fresh and underutilized in mainstream cinema, adding authenticity and an extra layer of immersion.

Paul Leonard-Morgan’s score is another highlight, seamlessly adapting to the film’s globetrotting nature. Fast-paced action sequences are paired with an Asian hybrid techno/trance sound that seeps into the viewer’s psyche, creating well placed moments of tension.

The story itself is well crafted, packed with twists and turns that keep the audience guessing. The evolution of Maya’s character from a grieving, timid daughter to a quick thinking, strong woman, is both compelling and believable. The real-time unraveling of the plot mirrors her transformation, making the journey all the more engaging.

The cast is perfectly suited to their roles, with Phoebe Dynevor (of Fair Play and Bridgerton) delivering a standout performance as Maya. On screen for 97% of the runtime, Dynevor shoulders the believability of the story with grace and intensity. Rhys Ifans (Notting Hill, Pirate Radio) is equally captivating as her father, Sam. His portrayal is enigmatic and layered, always keeping the audience guessing about his true intentions.

The dynamic between Dynevor and Ifans is riveting, filled with tension and authenticity. Their interactions are far from the typical father/daughter relationship, adding depth and intrigue to the film.

Packed with high stakes action, intricate plot twists, and emotional depth, Inheritance is a pulse pounding thriller that explores the bonds of family, the cost of secrets, and the resilience required to carve your own path in the shadows of the past.

IN THEATERS JANUARY 24, 2025

Spread the love

Editor's Picks

Featured Review

Stranger Things Season Four Part One – Review SPOILER FREE

9.5

User Reviews

Our Summary

Inheritance (IFC 2025)| Review

Packed with high stakes action, intricate plot twists, and emotional depth, Inheritance is a pulse pounding thriller that explores the bonds of family, the cost of secrets, and the resilience required
8.5
Excellent

Share This Post

About The Author

Starting out as a film fan at a early age, I would rate movies we rented on VHS. cut to 40 years later and I have written for Rue Morgue and a handful of other horror related websites and magazines.

Also Check Out

0

    Leave a Reply

    This site uses Akismet to reduce spam. Learn how your comment data is processed.

    Thanks for submitting your comment!