DC Studios steps boldly into darker territory with Clayface, its first foray into full-fledged horror. Directed by James Watkins, this chilling psychological thriller reimagines one of Gotham City’s most tragic villains through a grounded, unsettling lens. Leading the film is Tom Rhys Harries in the title role, delivering what promises to be a transformative performance as the iconic DC antagonist.
Set against the shadowy backdrop of Gotham and the seductive illusion of Hollywood fame, Clayface follows the harrowing downfall of a rising star whose life spirals into nightmare. What begins as ambition and promise quickly mutates into obsession, as a series of experimental choices and personal betrayals strip away his identity, leaving behind something far more monstrous. The film explores themes of fractured identity, corrosive love, and the dangerous consequences of unchecked scientific ambition, hallmarks of a deeply atmospheric horror story.



The ensemble cast further elevates the film, featuring Naomi Ackie, David Dencik, Max Minghella, and Eddie Marsan, alongside Nancy Carroll and Joshua James. Each brings depth to a story rooted in emotional decay and psychological terror.
Watkins directs from a screenplay by Mike Flanagan and Hossein Amini, with story contributions from Flanagan, all based on characters from DC Studios. The film is produced by Matt Reeves, Lynn Harris, James Gunn, and Peter Safran, with executive producers including Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo, and Lars P. Winther.
Behind the scenes, the film boasts an accomplished creative team: cinematography by Rob Hardy, production design by James Price, editing by Jon Harris, visual effects supervision by Angus Bickerton, costume design by Keith Madden, and casting by Lucy Bevan.
Blending body horror with psychological drama, Clayface positions itself as a bold and unsettling addition to the DC universe, one that trades traditional superhero spectacle for a haunting exploration of identity, transformation, and the true cost of becoming something else entirely.
CLAYFACE IN THEATRES THIS OCTOBER

